10/29/2022 0 Comments John waite essential tremorEdgar 'Frankenstein' Winter was wowing the crowds that shift, and Slicky got up and sat in for a bit of a jam. When Buddy promised Muddy to keep the blues alive, he put the shirt on and has been wearing it ever since. Wabash, that heaves with blues memorabilia and where music-loving punters feast on home cooking and sink gallons of Buddy Brew. What brought this on? A night out in Chicago, at Buddy Guy's Legends, the shared-tables supper club and live blues venue in the downtown Loop, on S. Jim Diamond, you listening over there? It is, because why wouldn't it be, both Beatled and Stoned. It reverberates with personal hellraising as part of Phantom, Rocker and Slick and all those other bands, those endless other guys. It's a bit of blues, a bundle of rock, a smash of punk, a dash of glam, a meander through rockabilly. One minute scarred and wanting, heaving with twelve-bar torment and regurgitated guts, the next it is bitingly elegant and wincingly cool. Far from bleeding with histrionics, regret and longing, it is a kick in the heart and the balls. Paused during the frantic global touring, make-everybody-else-sound-good years, and perfected while the world was on hold, it will at last be unleashed on 2nd July this year. #John waite essential tremor full'A Fist Full of Devils', his solo instrumental celebration of blues-based rock laced with the gurgle of moonshine and JD, is an eleven-track double masterpiece conceived some seven years back. 'Don't take it all so seriously,' is the unspoken refrain. Now here he comes again, all tattoo-you's, sunny g's, sawn-off elbows and a great slash of winsome smile. Ancient tapes have been trawled, lapsed memories jogged. How about now? The lockdowns afforded the perfect opportunity to revisit and reinvent. He is the kind to bide time until the moment. So he did, as it happens, tucking them away for posterity, storing them safely behind bundled guitar cases and stashing them on the top shelves of his mind. But what of his own creations, his secret licks and tricks? I'd bet money he coined and saved a few. That's what a little Slick magic can do for you. You know his classic guitar riffs, his salt, his sass - from 'Young Americans', 'Station to Station', 'Heathen', 'Reality', 'The Next Day' from 'Double Fantasy', 'Milk and Honey' and from Yoko's 'Season of Glass', released after John's murder and her highest-charting album ever. What other direction would one of the world's most lionised sidemen take? Long content to back Bowie, elevate Lennon and lend his thrashing brilliance to the sounds and vision of the greats, including Ian Hunter, John Waite and David Coverdale, the Brooklyn boy born Frank Madeloni swaggers on with all the menace of a graveyard with vacancies. Earl Slick scoffs, he is having none of it.
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